THE MAN IN THE HIGH CASTLE by Philip K. Dick
To the list of dystopian cautionary tales suddenly relevant again (as if they ever weren't!) in the trumpian, post-truth, authoritarian-leaning era I recommend adding Philip K. Dick's The Man in the High Castle, which answers the question, What if Germany and Japan had won WWII?
If you've seen the Amazon adaptation, there is little resemblance. Character names are the same but the plot is very different; the subversive video of the series is, in the novel, a novel. Germany controls Europe, the eastern U.S., is expanding into the solar system and has attempted a"final solution" on the entire continent of Africa. From The Home Islands Japan controls South America, Asia and the west coast. A nominal U.S. neutral zone separates Nazi and Nippon territories.
The setting is San Francisco and the neutral zone, the reader learns of life in Nazi territory only from secondhand reporting.
The IChing or "oracle", the ancient Chinese book of wisdom, features importantly for all the main characters, and is in a way, another character through which Dick explores the themes of fatalism and enduring in a world in which there is no shining light on the hill, no safe refuges left to flee to- or take hope from. All is authoritarianism- of the brutish Nazi stripe or the more civilized Japanese variety.
Into this reality of despair is dropped the surprisingly bestselling novel The Grasshopper Lies Heavy, an alternate fiction in which the allies won the war, defeating Germany and Japan. A fiction unimaginable for some, a revelation of Truth for others.
As one would expect, the novel is contemplative, internal, philosophical, and the ending ambiguous (perhaps a disappointment to readers weaned on flattering sales pitches and attention-eroding tech gadgetry who find their way to the novel from the Amazon series), but Dick's The Man in the High Castle sheds insightful, unsettling light onto life under totalitarianism. A light very much needed these days. Highly recommended!
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SOUTHBOUND by Joseph Ferguson
"Society everywhere is in a conspiracy against the manhood of every one of its members" wrote Ralph Waldo Emerson in Self Reliance.
The protagonist of Southbound has assuredly never read Emerson but he knows whereof Emerson speaks. Cruising the literary highway of counterculture anti-heroes, Basement Man, transplant from Alabama, pulls up to a bar in New Jersey and we hitch a ride for this episodic portrait of his lifelong, booze-fueled rebellion.
From the tragicomic death of his friend on the docks of Hoboken to beaches a little less respectable for his presence ("Avast ye scurvy lubbers!") to a retirement home, Basement Man is aware but not resigned (to paraphrase Edna Millay). I've heard it said that 'your integrity to yourself is more important than your immediate life,' and that's a sentiment Basement Man would drink to: "Better a bottle in front of me, than a frontal lobotomy, spider!"
Southbound by Joseph Ferguson makes us look around and perceive the poetry in life. And that is a very good thing.
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